Front of house and everything behind it. The interface, the database under it, accounts, search, checkout, and the admin the staff actually live in — one system, not a page sitting on top of somebody else's. I take these from a blank file to a live catalogue.
I write WordPress the way WordPress expects. Custom post types, admin screens, REST endpoints, scheduled jobs, and the migrations to get the old data in — so it stays maintainable by whoever owns the site next. The largest I have carried runs to thirty-two modules.
A page behaves the way somebody else decided, until you change it. Extensions that rebuild a site around the person reading it: reshaping, hiding, adding, automating whatever the page will not do on its own. One of mine guards a neurodivergent focus.
Zero to shipped, solo. Architecture, interface, build, launch, and the upkeep after, with no handoff in the middle where the thinking gets dropped. It is how I work by default rather than a tier I sell. Everything on this page went the full distance.
The system a business actually runs on. Inventory, customer records, permissions, pricing, and the sync jobs that keep all of them agreeing with each other. Usually it replaces per-seat software that was never shaped like the business. One of mine grew to thirty-two modules.
Public data made legible without being made partisan. Ingesting nationwide records, resolving them down to a single district, and holding the sourcing line so nothing publishes that cannot be proved. Careful by design, because the subject does not forgive approximation. UnImpact works this way.
Language as something you can operate on. Etymological roots, sound change and morphology, modelled closely enough to build with rather than merely look up, and to grade its own output before it hands you any of it. LimIcon is the word foundry on top of that.
Software for one person. Most tools assume how you work. Sometimes the useful move is to build for how a particular mind actually does, rather than how software usually guesses. Local first, yours on your own machine, and no account required to use what you made.
Runs while I sleep. Scheduled pipelines, syncs, generated pages, and agents that sweep for what matters and file it where you will find it. The aim is that a recurring job stops being a task at all. Imagery, SEO and inventory all run this way.
Every project comes with a private page of your own. You can open it any time and see exactly where things stand, in plain words, without asking. Here is what is in it.
Days with work on them are marked. Open one and every piece is there, hour by hour, in plain words and with a picture of what it looked like.
You never have to ask where things are.
Everything built so far, gathered by the part of your build it touched, with the weight of each shown honestly.
Six weeks in, you can still see the whole shape of what you are paying for.
Colors, type and the decisions we make together, kept in one place. Yours to read any time, and yours to push back on.
Neither of us has to remember what we agreed.
Five colors. Hover one to see what it is for.
Headlines included. It reads as a person talking rather than a brochure.
If everything is highlighted, nothing is.
When something feels crowded the answer is space, not a smaller font.
If a sentence has to be read twice, it gets rewritten.
Screenshots arrive attached to the piece of work that produced them, so you can see what changed and when.
No hunting back through a thread for the one you know you saw.
A link, a screenshot, a photograph. The useful part is the line you write underneath it.
Taste is far easier to show than to describe.
An idea at eleven at night, a change you thought of in the shower. Put it here and it reaches me directly.
Nothing gets buried, and you never write the same request twice.
This one is just a demo. Nothing is sent.
No cart, and no prices in the open. The first thing a visitor meets is a door with a lock on it, which is the whole posture of a wholesale house.
Filtered by gem, color, shape and origin against live stock. Four and a half thousand stones, and the figures under the seam exist only for members.
Consignment. A jeweller lists what they hold, takes it to a show or a showroom, and the pricing follows whoever is looking at it.
Jewellers who actually buy here, carried as a reel rather than a wall of pull quotes.
Artinian is the family's wholesale house, loose colored stones sold to jewelers, not the public. It started as a clone of a retail shop and had to flip its whole posture: no cart, no urgency, no wanting, a ledger and a memo pipeline instead. The hard part is that a wholesale price can never reach a logged-out page, so the price wall is built so figures are simply absent below a seam and re-injected for members only. It runs dev-live now, moving goods the way the trade actually moves them.
Prices in the open and a film behind the promise: the opposite posture to Artinian, and the same family. Edition-made jewelry, artisanal-cut stones, and the sourcing story one press down.
Origin, shape, treatment, color, carat, certified or matched pair, and price bands instead of a members’ seam. What the wholesale house hides below the fold, the storefront sells above it.
A five-point-oh across nine Google reviews, quoted whole and named. Most of them mention David by name, which is not something a widget can fake.
Buying guides for sapphire, ruby and emerald; grading, estate and vintage. The reading that turns a browser into a buyer, with a free consult sitting beside it.
Caveman sells direct-source colored stones live on camera, in HD, the way almost nobody does. The storefront is the small part. Underneath it is one WordPress plugin that grew to thirty-two modules: it moved the customer records off Keap into a Notion brain, took the catalog from 244 indexable pages to 3,720 (impressions up 380 percent), and taught the business to ship sixty-three versions to a live store in twenty-seven days without a rollback. Panorama X still holds inventory and feeds Notion on a schedule, it just stopped facing the customer.
Keeps every morpheme boundary intact and builds only from productive combining forms, so a reader decodes it on sight with no gloss.
A cartridge is a recipe, not a filter. Each reaches a different way down into the language, and switching swaps the model rather than a setting on it.
Describe a feeling. LimIcon finds the real etymological roots that carry its senses, you choose which two or three to fuse, and it hands back a word with a true etymology and a permanent, citable page. The model only proposes, you do the selecting, which is what keeps authorship yours. The unusual part is that it shipped its own scorecard first: five axes, and it sits at 2.67 out of 5 right now, with the weakest being inevitability, the axis the whole thing is named for. Publishing that number is the point. It is a gradient to climb instead of a demo to trust.
The lens narrows the map, the heat, the filaments and the index at once. Bodies are named. The people it lands on never are.
When a rule lands on you, the real question isn't whether it's good policy, it's whether the people who made it had the standing to, and how far they sit from the people it lands on. UnImpact measures that distance. It scores the legitimacy of authority on two axes, makes every negative score disclose its own sourced basis before it can publish, and defeats brigading by arithmetic instead of moderation. Careful by design, and sitting behind a legal review before it opens the doors.
Nothing is written twice. A day is logged once, and what a client reads is the same record with the workings taken off it.
A studio that builds operating systems for other businesses should run on one. Pentinian is five pillars that interlock: the Foyer wins the work, the Window shows each client their own build drip-fed from the work log, the Atelier is where that gets curated, a Notion brain holds the single source of truth, and Switchboard lets one session reach every account. The whole thing was stood up, dogfooded, and audited inside seventy-two hours, and the sixth pillar is the audit itself, the unflattering one that says which parts are not ready. This site is the first proof.
I only take on a few projects at a time, so fit matters to me. Tell me what you're building and what's drawing you to it, and if it feels like a match I'll be in touch.